Few days ago I watched again Cherry 2000, a science fiction film from 1987. It’s one of these post Mad Max productions, mixing road-movie, western and science fiction elements. Despite the lack of ruins – like most of this genre and this time the film is set in the desert to reduce costs – there’s a lot of decadence and decay, which is presented with cutting irony.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0bJUCq7Whg4urX58NvHHr2T6R0CQ4WiIoYzi4OaxdJE-q092rR6M8LIXQu8HPhqyQwiz-0l9EXGIjcvNJCeUyGpUeVSsvM7Dqx0yA5rwzeFMEUPYmtg9HUgZ4CWj4Xz_SvM33L1l8eDU/s400/cherry-2000-3.jpg)
Plastic fantastic. I’m sure that even Steven Meisel couldn’t do much better.
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Trash and decay
When the beloved female home robot of the yuppie Sam Treadwell is broken, he is looking desperately for a substitute a new Cherry 2000. But it’s the future and Sam has to learn: "In The Year 2017, A Good Woman Is Hard To Find. A Cherry 2000 Is Even Harder."
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Sweet Cherry 2000
He is told, that maybe in the lawless wasteland known as "Zone Seven" he can find another Cherry 2000. To go there, he has to hire a tracker, a certain E. Johnson, who turned out to be a woman, played by Melanie Griffith with cherry red hair. It needs the entire film and a lot of adventures until Sam realizes that a real woman could be more attractive than a robot.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVYIm98AblBfF_JQQVlTJmjFRhE_mb7vwBusZhRrfpTq5XFUix4fsjH6-ZFvj9z8VVMRYtydGZ_KO3r0CCbMwOruNjwrQsKZE-Rl7Z0VU4QIT2_lAg_LccoXYj81TaKEJGUF2BdUML97c/s400/cherry-2000-dvd.jpg)
Cherry red Melanie Griffith