When I saw these paintings by Boris Vallejo for the first time, I couldn’t avoid thinking of the 9/11. Maybe old Osama and the guys in Afghanistan were great fans of Boris Vallejo. But in the end I don’t think so. The big similarity derives from the fact that the best apocalypse has still to happen in New York.
Vallejo did the paintings in 1997 to illustrate a text by Philip José Farmer.
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